Justia Copyright Opinion Summaries

A professional videographer recorded a video in 2015 showing Michael Jordan breaking up a fight. Years later, a hip-hop news website operated by a media company republished the entire video, embedding it from a social media post, and used a screenshot from the video as the background of the article’s headline. The same website also published two articles embedding a separate interview video that the videographer had recorded with rapper Melle Mel, which had been posted on YouTube. Both articles included screenshots from the interview as part of their headlines.The videographer sued the media company for copyright infringement in the United States District Court for the Southern District of New York. The district court granted judgment on the pleadings for the defendant, finding that the use of the Jordan Video was fair use, the screenshots were de minimis and not actionable, and the embedding of the Melle Mel Video was permitted under YouTube’s Terms of Service.On appeal, the United States Court of Appeals for the Second Circuit reviewed the district court’s decision de novo. The appellate court found that the district court erred in determining, at the pleading stage, that the media company’s use of the entire Jordan Video was fair use, since it could substitute for the original and potentially harm the market for the video. The appellate court also found that the screenshots’ use was not de minimis because they were clearly recognizable and prominently displayed. However, the appellate court agreed with the district court that embedding the Melle Mel Video from YouTube was permitted by the license granted under YouTube’s Terms of Service.The Second Circuit vacated the district court’s judgment as to the Jordan Video and both sets of screenshots, affirmed as to the Melle Mel Video, and remanded for further proceedings. View "Richardson v. Townsquare Media, Inc." on Justia Law

DISH Network L.L.C. held exclusive rights to broadcast certain Arabic-language television channels in the United States, secured through written agreements with foreign content producers. The defendants operated businesses that provided U.S. customers with unauthorized access to these channels through internet streaming devices and services, bypassing DISH’s authorization and payments. The defendants’ services relied on content delivery networks and encoders to capture, transcode, and transmit live broadcasts of the protected channels to their customers in the U.S.The United States District Court for the Middle District of Florida first considered cross-motions for summary judgment. It granted summary judgment for DISH regarding its ownership of valid copyrights but found factual disputes about infringement, leading to a bench trial. After trial, the district court ruled in favor of DISH, finding that the defendants' use of both content delivery networks and encoders constituted direct copyright infringement. The court awarded DISH a permanent injunction, $600,000 in statutory damages, attorney fees, and costs.On appeal, the United States Court of Appeals for the Eleventh Circuit reviewed the district court’s legal conclusions de novo and factual findings for clear error. The appellate court rejected all arguments by the defendants, including challenges to DISH’s ownership, the validity and transfer of the copyrights, and several evidentiary rulings. The court specifically found that the audiovisual works at issue were “Collective Works” under UAE law, supporting MBC’s initial ownership, and that the transfer of rights to DISH was uncontested by the original owner. The Eleventh Circuit held that sufficient evidence showed the defendants directly infringed DISH’s exclusive rights by operating encoders, and affirmed the district court’s judgment in all respects. View "Dish Network L.L.C. v. Fraifer" on Justia Law

A non-profit organization that develops and sells technical standards for use in industry brought suit against a for-profit company that operates an online library of building codes. The for-profit company published on its website the full text of several copyrighted standards developed by the non-profit, which had been incorporated by reference into the International Building Code. This building code, in turn, was adopted as law by the City of Philadelphia and other jurisdictions. The for-profit company made these incorporated standards freely available, though it also sold premium subscriptions for enhanced features. The non-profit derived significant revenue from licensing and selling its standards, including those incorporated into law, and did not authorize the copying.The case was first heard in the U.S. District Court for the Eastern District of Pennsylvania. After limited discovery and a hearing, the District Court denied the non-profit’s motion for a preliminary injunction, concluding that the for-profit company was likely to succeed on its fair use defense. The District Court found that the company’s publication of the standards for the purpose of public access to the law was transformative, even though the use was commercial in part, and that the standards, as incorporated into law, were primarily factual in nature. The District Court also found that copying the entire standards was reasonable because the law incorporated those standards in full, and that the effect on the market for the standards was at best equivocal.On appeal, the United States Court of Appeals for the Third Circuit affirmed the District Court’s denial of the preliminary injunction. The Third Circuit held that the for-profit company is likely to succeed on the merits of its fair use defense, as three of the four statutory fair use factors favored fair use and the fourth was equivocal. The order denying the preliminary injunction was affirmed. View "American Society for Testing & Materials v. UPCODES Inc" on Justia Law

Several major music copyright owners, including a leading entertainment company, sought to hold an Internet service provider responsible for copyright infringement committed by its subscribers. The service provider, which serves millions of customers, was notified by a monitoring company of over 160,000 instances where its subscribers’ IP addresses were linked to alleged copyright violations such as illegal music file sharing. Although the provider had policies prohibiting infringement and took steps such as issuing warnings and suspending service, the copyright holders argued these measures were inadequate and brought suit seeking to impose liability on the provider for continuing to serve known infringers.The case was tried in the United States District Court for the Eastern District of Virginia. There, the jury found in favor of the copyright owners on both contributory and vicarious liability, and determined the provider’s infringement was willful, awarding $1 billion in statutory damages. After the District Court denied the provider’s post-trial motion, the United States Court of Appeals for the Fourth Circuit affirmed the finding of contributory liability, reasoning that supplying a service with knowledge it would be used for infringement was sufficient. The Fourth Circuit, however, reversed as to vicarious liability and remanded for a new determination of damages.The Supreme Court of the United States reviewed the case concerning contributory liability. The Court held that a service provider is contributorily liable for a user’s infringement only if it either induced the infringement or provided a service tailored for infringement. Because the provider neither encouraged infringement nor offered a service primarily designed for infringement—since Internet access has substantial lawful uses—the provider was not contributorily liable. The Supreme Court reversed the Fourth Circuit’s judgment on contributory liability and remanded the case for further proceedings. View "Cox Communications, Inc. v. Sony Music Entertainment" on Justia Law

A major music performing rights organization, which licenses the public performance of musical works to concert promoters, was unable to reach agreement with a national association of concert promoters on the rates and revenue base for blanket licenses covering live performances. For the first time in their relationship, the rights organization petitioned the United States District Court for the Southern District of New York to set the licensing terms, as permitted under an antitrust consent decree applicable to the organization due to its significant market share. The promoters’ association, whose members include the two largest concert promoters in the United States, has historically secured blanket licenses from multiple performing rights organizations to avoid copyright infringement.The district court accepted the organization’s proposed rates for a retroactive period and set a new, higher rate for a more recent period. It also broadened the definition of “gross revenues” for calculating royalties, including new categories such as revenues from ticket service fees, VIP packages, and box suites, which had not traditionally been included. The promoters’ association appealed these decisions, arguing that both the rates and the expanded revenue base were unreasonable. The rights organization cross-appealed the denial of prejudgment interest on retroactive payments.The United States Court of Appeals for the Second Circuit reviewed the district court’s decisions. It held that the district court imposed unreasonable rates, in part because it adopted an unprecedented and administratively burdensome revenue base without justification and relied too heavily on benchmark agreements that were not sufficiently comparable to prior agreements with the association. The court also found no economic changes justifying a significant rate increase. While it found no abuse of discretion in denying prejudgment interest, it vacated the district court’s judgment and remanded for further proceedings consistent with its opinion. View "Broadcast Music, Inc. v. North American Concert Promoters Association" on Justia Law

A professional photographer discovered that between 2018 and 2022, hundreds of his photographs were uploaded to an online stock photo platform operated by a large digital content marketplace, without his permission. Three contributors to the platform were responsible for uploading these images, and the platform subsequently licensed many of them to customers, generating revenue shared with the uploaders. After being notified by the photographer’s attorney, the platform removed the images and terminated the contributor accounts, but the photographer filed suit alleging both copyright infringement and violations related to the removal and alteration of copyright management information (CMI).The United States District Court for the Southern District of New York granted summary judgment to the platform on all claims. The court concluded that the platform qualified for safe harbor immunity under the Digital Millennium Copyright Act (DMCA) for the copyright infringement claims. For the CMI claims, the court found that the photographer failed to present evidence of the platform's required scienter (knowledge or intent) to sustain a violation under 17 U.S.C. § 1202.On appeal, the United States Court of Appeals for the Second Circuit affirmed the district court’s decision regarding the CMI claims, agreeing that there was no evidence the platform acted with the necessary scienter under § 1202(a) or (b). However, the appellate court vacated the grant of summary judgment on the copyright infringement claims. It held that factual disputes remained as to whether the infringing activity occurred “by reason of the storage at the direction of a user” and whether the platform had the “right and ability to control” the infringing activity, both critical to safe harbor eligibility under the DMCA. The case was remanded for further proceedings on these factual questions. View "McGucken v. Shutterstock, Inc." on Justia Law

The case concerns Frederick Allen, a videographer, and his company, Nautilus Productions, who documented the excavation of the Queen Anne’s Revenge, the sunken pirate ship of Blackbeard, off the North Carolina coast. Allen registered copyrights for many years of video footage he recorded during the recovery project. The State of North Carolina and its Department of Natural and Cultural Resources entered into agreements related to the salvage operation. Allen alleged that state officials infringed his copyrights by using his footage online and in state publications without permission, and that the state passed a law, N.C. Gen. Stat. § 121-25(b), which Allen argued authorized this infringement.The United States District Court for the Eastern District of North Carolina initially dismissed some claims but allowed Allen’s claims for declaratory judgment and copyright infringement to proceed, finding Congress had validly abrogated state sovereign immunity under the Copyright Remedy Clarification Act (CRCA). On appeal, the United States Court of Appeals for the Fourth Circuit reversed, holding that the CRCA did not validly abrogate state sovereign immunity, and the Supreme Court affirmed. Allen then voluntarily dismissed his remaining claims against the only non-governmental defendant, closing the case.Despite these rulings, the district court in 2021 allowed Allen to reopen the case, permitting him to amend his complaint based on a new constitutional theory stemming from United States v. Georgia, seeking as-applied, case-by-case abrogation of state sovereign immunity. In 2024, the district court denied sovereign immunity on this new claim, allowing it to proceed. The North Carolina defendants appealed.The United States Court of Appeals for the Fourth Circuit held that the district court abused its discretion in reopening the litigation under Rule 54(b) rather than Rule 60(b), where no extraordinary circumstances justified such relief. The appellate court reversed the order reopening the case, vacated the subsequent 2024 ruling as moot, and remanded with instructions to close the litigation and dismiss all claims against the North Carolina defendants with prejudice. View "Allen v. Stein" on Justia Law

A Kentucky high school intended to administer a mental-health survey to its students. Concerned about the survey’s contents, a parent requested a copy under the Kentucky Open Records Act, aiming to share it with other parents and reporters. The school denied her request, citing a provision of the state law that excludes records “prohibited by federal law or regulation” from disclosure, and argued that the survey was copyrighted by its publisher, NCS Pearson. The school did allow her to inspect the survey in person, but would not provide a copy.The parent, Miranda Stovall, did not pursue available state remedies, such as review by the Kentucky Attorney General or a state court appeal. Instead, she filed suit in the United States District Court for the Western District of Kentucky, seeking a declaratory judgment that releasing the survey would fall under the fair-use exception in federal copyright law. NCS Pearson moved to dismiss for lack of jurisdiction, and the district court dismissed the case, finding that Stovall’s claim did not arise under federal law.The United States Court of Appeals for the Sixth Circuit reviewed the district court’s decision. The appellate court held that federal jurisdiction was lacking because Stovall’s claim arose under state law, not the Copyright Act, and did not “necessarily raise” a substantial federal question. The court found that copyright law entered the dispute only as a defense to the state-law claim, and that potential future infringement actions did not establish Article III standing. The court affirmed the district court’s dismissal for lack of federal subject-matter jurisdiction. View "Stovall v. Jefferson Cnty. Bd. of Education" on Justia Law

Two individuals, Vetter and Smith, co-wrote the song “Double Shot (Of My Baby’s Love)” in 1962 and assigned all copyright interests to Windsong Music Publishers in 1963, including a contingent assignment of renewal rights. After Smith died in 1972, his heirs and Vetter renewed the copyright when the original term ended in 1994. Windsong’s ownership of renewal rights depended on the authors’ survival; thus, Windsong received Vetter’s renewal rights because he survived, while Smith’s heirs received his share. Vetter Communications Corporation later purchased Smith’s heirs’ renewal rights. In 2019, Vetter terminated his earlier assignment under 17 U.S.C. § 304(c), aiming to recapture his rights. The publisher’s ownership interests were subsequently sold to Resnik Music Group. When licensing negotiations arose for international use, conflicting ownership claims led Vetter and his corporation to seek a declaratory judgment establishing their sole copyright ownership worldwide.The United States District Court for the Middle District of Louisiana denied Resnik’s motion to dismiss and granted summary judgment for the plaintiffs. The court declared that Vetter was the sole owner of the recaptured copyright interest globally, and Vetter Communications Corporation was the sole owner of the renewal copyright interest globally, establishing their exclusive ownership.On appeal, the United States Court of Appeals for the Fifth Circuit reviewed the district court’s summary judgment de novo. The Fifth Circuit affirmed the district court’s judgment, holding that termination of copyright assignments under 17 U.S.C. § 304(c) and the renewal provisions of the Copyright Act of 1909 confer worldwide ownership rights to the terminating author or their heirs, not limited to domestic rights. The court found that statutory text, context, and purpose support this interpretation, and that the judgment does not conflict with international treaty obligations or relevant legal principles. View "Vetter v. Resnik" on Justia Law

Athos Overseas Limited owns copyrights to numerous classic Mexican and Latin American films. The company discovered that its copyrighted films were posted on YouTube without authorization. Athos sent multiple takedown notices to YouTube, which removed the specific videos identified in those notices. However, Athos argued that YouTube’s technology—particularly its video-hashing and content management tools—gave it actual or “red flag” knowledge of additional infringing material beyond what was specifically identified, and thus YouTube should have removed all such matches automatically.The United States District Court for the Southern District of Florida reviewed cross-motions for summary judgment. The district court adopted the magistrate judge’s recommendation, denied Athos’s motion for partial summary judgment, and granted summary judgment in favor of YouTube. The court found that YouTube qualified for safe-harbor protection under 17 U.S.C. § 512(c) of the Digital Millennium Copyright Act (DMCA), as it expeditiously removed infringing material identified by valid takedown notices and did not have actual or red flag knowledge of other specific infringements.On appeal, the United States Court of Appeals for the Eleventh Circuit affirmed the district court’s decision. The Eleventh Circuit held that YouTube’s copyright management technologies do not, in themselves, give YouTube actual or red flag knowledge of specific infringing material unless a valid DMCA notice is received. The court also found that YouTube’s moderation and curation features did not constitute the right and ability to control infringing activity for purposes of the DMCA safe harbor. Therefore, YouTube was entitled to safe-harbor protection under § 512(c), and summary judgment in its favor was proper. View "Athos Overseas Limited Corp. v. YouTube, Inc." on Justia Law