Justia Copyright Opinion Summaries

The case revolves around a dispute between two competitors in the construction equipment market, I Dig Texas, LLC, and Kerry Creager, along with Creager Services, LLC. I Dig Texas used copyrighted photographs of Creager's products, which were made in China, in its advertisements to emphasize its own products' American-made status. This led to claims under the Copyright Act and the Lanham Act.Previously, the United States District Court for the Northern District of Oklahoma granted summary judgment to I Dig Texas on Creager's federal claims and remanded all of the state-law claims to state court. Creager had claimed that the use of its photographs constituted copyright infringement and that the accompanying text misrepresented the origin of I Dig Texas's products.The United States Court of Appeals for the Tenth Circuit affirmed the lower court's decision. The court found that Creager failed to present evidence of any profit from the use of its photographs, which was necessary to establish a claim for copyright infringement. The court also found that I Dig Texas's advertisements were not literally false under the Lanham Act. The advertisements were ambiguous as to whether a product is considered American-made when it is assembled in the United States but uses some foreign components. The court concluded that such a claim is not literally false because the claim itself is ambiguous. The court also affirmed the lower court's decision to decline supplemental jurisdiction over the remaining state-law claims and remand these claims to state court. View "I Dig Texas v. Creager" on Justia Law

This case pertains to an alleged copyright infringement involving software code used in an industrial control system. The plaintiffs, RJ Control Consultants, Inc. and its sole shareholder, Paul Rogers, appealed the district court’s exclusion of their proposed expert and the granting of summary judgment to the defendants, Multiject, LLC; its sole owner, Jack Elder; and RSW Technologies, LLC. The U.S Court of Appeals for the Sixth Circuit held that the district court did not abuse its discretion in excluding the plaintiffs’ proposed expert or in granting summary judgment to the defendants. The plaintiffs had failed to properly disclose their expert as required and did not produce an expert report. Consequently, they could not offer expert evidence to rebut the defendants' evidence. Furthermore, they could not create a genuine dispute of fact about the protectability of the software code, a crucial factor in their copyright infringement claim. Therefore, the district court's judgment was affirmed. The court also vacated its prior decision in RJ Control Consultants, Inc. v. Multiject, LLC, 981 F.3d 446 (2020), due to lack of appellate jurisdiction at the time of that decision. View "R.J. Control Consultants, Inc. v. Multiject, LLC" on Justia Law

This case revolves around a copyright dispute between Whyte Monkee Productions, LLC and Timothy Sepi (Plaintiffs) and Netflix, Inc. and Royal Goode Productions, LLC (Defendants). Plaintiffs sued Defendants for copyright infringement, alleging that Defendants had used clips from eight videos filmed by Mr. Sepi without permission in the documentary series "Tiger King: Murder, Mayhem and Madness". The district court granted summary judgment in favor of the Defendants, concluding that seven of the videos were works made for hire and thus Mr. Sepi did not own the copyrights. The court also found that the use of the eighth video constituted fair use and did not infringe on Mr. Sepi’s copyright.On appeal, the Tenth Circuit Court of Appeals held that Plaintiffs waived their argument regarding the first seven videos as they presented a new theory not raised in the lower court. Accordingly, the appellate court upheld the district court's judgment regarding these videos. However, regarding the eighth video, the appellate court ruled that the district court erred in determining that Defendants were entitled to summary judgment on their fair use defense. The court concluded that the first factor of the fair use analysis favored the Plaintiffs instead of the Defendants, and that the Defendants failed to provide any evidence demonstrating the absence of a market impact, which is necessary to apply the fourth fair use factor. Therefore, the appellate court affirmed the lower court’s judgment as to the first seven videos, reversed the judgment as to the eighth video, and remanded the case for further proceedings. View "Whyte Monkee Productions v. Netflix" on Justia Law

This case concerns a patent dispute between Harris Brumfield, Trustee for Ascent Trust (Plaintiff-Appellant) and IBG LLC and Interactive Brokers LLC (Defendants-Appellees). The plaintiff alleged that the defendants infringed several patents owned by Trading Technologies International, Inc., the plaintiff's predecessor. The United States Court of Appeals for the Federal Circuit rejected the plaintiff’s challenges and affirmed the district court's rulings.The district court had invalidated the asserted claims of two of the plaintiff's patents under 35 U.S.C. § 101. The court also excluded one basis for recovering "foreign damages" proposed by the plaintiff's damages expert, and denied the plaintiff's post-verdict motion for a new trial on damages.On appeal, the Federal Circuit held that the district court correctly applied the law in determining that the asserted claims of the patents were ineligible for patenting under § 101. The court also affirmed the district court’s decision to exclude certain damages evidence, and it upheld the denial of the plaintiff's request for a new trial on damages. View "Brumfield v. IBG LLC" on Justia Law

In a case before the United States Court of Appeals for the Sixth Circuit, Premier Dealer Services, a developer and administrator of automobile dealers’ aftermarket products, sued Allegiance Administrators for infringing its copyright. The issue stemmed from Premier's creation of a Lifetime Powertrain Loyalty Program, which included a loyalty certificate that set out the program's terms and conditions. Premier had registered this certificate for copyright protection. When Allegiance started working with a former Premier client, it used Premier’s Lifetime Powertrain Loyalty Program certificates in its own plan, with minor modifications in the contact information.In the lawsuit, the district court ruled that Allegiance had infringed Premier’s copyright, ordered Allegiance to give up any profits from using the certificates, and awarded Premier attorney’s fees. On appeal, the Sixth Circuit affirmed the decision of the lower court.The appellate court held that Premier's certificate was "original" and thus protected by copyright. The court clarified that originality in copyright law has a low threshold, requiring only that the author independently created a work with some minimal degree of creativity. The court rejected Allegiance's argument that the certificates were scenes a faire—stock or standard phrases that necessarily follow from a common theme or setting, which are not protectable by copyright. The court found that Allegiance had not provided sufficient evidence that industry standards or other external constraints dictated the content of the certificates.Regarding the disgorgement of profits, the court agreed with the lower court's calculations. It noted that Premier had successfully shown a reasonable relationship between Allegiance’s infringement and its gross revenues. The burden then shifted to Allegiance to demonstrate which part of its gross revenues did not result from the infringement, but Allegiance failed to fulfill this burden.Finally, the court upheld the award of attorney’s fees to Premier, finding that the lower court did not abuse its discretion in characterizing Allegiance's arguments as unreasonable and contrary to settled law. View "Premier Dealer Services, Inc. v. Allegiance Administrators, LLC" on Justia Law

In this case, Sony Music Entertainment and numerous other record companies and music publishers sued Cox Communications, alleging that Cox's customers used its internet service to infringe their copyrights. The plaintiffs argued that Cox should be held accountable for its customers' copyright infringement. A jury found Cox liable for both willful contributory and vicarious infringement of over 10,000 copyrighted works owned by the plaintiffs and awarded $1 billion in statutory damages.The United States Court of Appeals for the Fourth Circuit held that Cox was not vicariously liable for its customers' copyright infringement because Cox did not profit from its subscribers’ acts of infringement, a legal prerequisite for vicarious liability. However, the court affirmed the jury’s finding of willful contributory infringement because Cox knew of the infringing activity and materially contributed to it.The court vacated the $1 billion damages award and remanded the case for a new trial on damages, holding that the jury’s finding of vicarious liability could have influenced its assessment of statutory damages. The court did not vacate the contributory infringement verdict. View "Sony Music Entertainment v. Cox Communications, Incorporated" on Justia Law

In this case, professional concert photographer Larry Philpot brought a copyright-infringement claim against news website Independent Journal Review (IJR) after IJR used his photograph of musician Ted Nugent in an online article. IJR sought summary judgment, arguing that its use of the photo constituted fair use under the Copyright Act and alternatively arguing that Philpot's copyright registration was invalid. Philpot also sought summary judgment, contending that his registration was valid and that IJR's use was not fair use. The district court granted summary judgment to IJR on fair use grounds and denied Philpot's motion.On appeal, the United States Court of Appeals for the Fourth Circuit reversed and remanded the decision. The court held that IJR's use of the photograph did not constitute fair use because it was non-transformative and commercial, and it adversely affected the potential market for the photograph. It also found that Philpot's copyright registration was valid because the photograph was not published before Philpot registered it as an unpublished work. The court concluded that IJR was not entitled to summary judgment on its fair use defense and that Philpot was entitled to summary judgment on the validity of the copyright registration. View "Philpot v. Independent Journal Review" on Justia Law

Ronald Ragan, Jr. brought a suit against Berkshire Hathaway Automotive, Inc. (BHA) alleging that the company had copied his car dealership customer intake form ("Guest Sheet") without his permission, constituting copyright infringement. The case was brought before the United States Court of Appeals for the Eighth Circuit. Ragan held a certificate of registration for the Guest Sheet issued by the United States Copyright Office and asserted that BHA continued to use the form after acquiring a company that had previously copied and used the Guest Sheet. BHA argued that the Guest Sheet was not copyrightable. The district court agreed with BHA and ruled in its favor. On appeal, Ragan argued that the district court erred in finding the Guest Sheet uncopyrightable. The appeals court, however, upheld the district court's decision, ruling that the Guest Sheet lacked the requisite originality to be protected under copyright law. The court found that the Guest Sheet, which contained basic questions and prompts, did not exhibit sufficient creativity, and was designed to record, not convey, information. The court also dismissed Ragan's claim that the district court ignored the statutory presumption of copyright validity granted to the Guest Sheet by the certificate of registration, stating that the copyrightability of the Guest Sheet could be determined by an examination of the Guest Sheet alone. View "Ragan v. Berkshire Hathaway Auto, Inc." on Justia Law

In the case before the United States Court of Appeals for the Ninth Circuit, Best Carpet Values, Inc. and Thomas D. Rutledge initiated a class action lawsuit against Google, LLC. The plaintiffs argued that Google, through its Search App on Android phones, displayed their websites in a way that occupied valuable space for which Google should have paid. They contended that Google received all the benefits of advertising from the use of that space. The plaintiffs made state-law claims for trespass to chattels, implied-in-law contract and unjust enrichment, and violation of California's Unfair Competition Law.The court reviewed questions certified by the district court for interlocutory review. In response to the first question, the court ruled that the website copies displayed on a user's screen should not be protected as chattel, concluding that a cognizable property right did not exist in a website copy. As a result, the plaintiffs’ trespass to chattels claim was dismissed.Addressing the third question, the court held that website owners cannot invoke state law to control how their websites are displayed on a user's screen without being preempted by federal copyright law. The court determined that the manner in which the plaintiffs’ websites were displayed fell within the subject matter of federal copyright law. It also found that the rights asserted by the plaintiffs’ implied-in-law contract and unjust enrichment claim were equivalent to the rights provided by federal copyright law. Thus, the plaintiffs’ state-law claim was preempted by federal copyright law.Given these findings, the court did not address the other certified questions. The Ninth Circuit concluded that the district court erred in denying Google’s motion to dismiss and remanded the case with instructions to dismiss. View "Best Carpet Values, Inc. v. Google LLC" on Justia Law

Choreographer Kyle Hanagami claimed that Epic Games, Inc., the creator of the videogame Fortnite, infringed the copyright of a choreographic work when the company created and sold a virtual animation, known as an “emote,” depicting portions of the registered choreography. The district court dismissed his action under the Copyright Act and remanded for further proceedings on claims of direct and contributory infringement of a choreographic work.   The Ninth Circuit reversed. The panel held that, under the “extrinsic test” for assessing substantial similarity, Hanagami plausibly alleged that his choreography and Epic’s emote shared substantial similarities. The panel held that, like other forms of copyrightable material such as music, choreography is composed of various elements that are unprotectable when viewed in isolation. What is protectable is the choreographer’s selection and arrangement of the work’s otherwise unprotectable elements. The panel held that “poses” are not the only relevant element, and a choreographic work also may include body position, body shape, body actions, transitions, use of space, timing, pauses, energy, canon, motif, contrast, and repetition. The panel concluded that Hanagami plausibly alleged that the creative choices he made in selecting and arranging elements of the choreography—the movement of the limbs, movement of the hands and fingers, head and shoulder movement, and tempo—were substantially similar to the choices Epic made in creating the emote. The panel held that the district court also erred in dismissing Hanagami’s claim on the ground that the allegedly copied choreography was “short” and a “small component” of Hanagami’s overall work. View "KYLE HANAGAMI V. EPIC GAMES, INC., ET AL" on Justia Law