Justia Copyright Opinion Summaries

Articles Posted in US Court of Appeals for the Second Circuit
by
The Second Circuit reversed the district court's grant of summary judgment to the Foundation on its complaint for a declaratory judgment of fair use and the district court's dismissal of defendant's counterclaim for copyright infringement. This case involves visual art works by Andy Warhol based on a 1981 photograph of the musical artist Prince that was taken by defendant, Lynn Goldsmith, in her studio, and in which she holds copyright.The court concluded that the district court erred in its assessment and application of the fair-use factors and that the works in question do not qualify as fair use as a matter of law. In this case, the court considered each of the four factors and found that each favors defendant. Furthermore, although the factors are not exclusive, the Foundation has not identified any additional relevant considerations unique to this case that the court should take into account. The court likewise concluded that the Prince Series works are substantially similar to the Goldsmith Photograph as a matter of law. Accordingly, the court remanded for further proceedings. View "The Andy Warhol Foundation for the Visual Arts, Inc. v. Goldsmith" on Justia Law

by
Plaintiff Curtis James Jackson III, the hip-hop recording artist known as 50 Cent, appealed the district court's grant of summary judgment for Defendant William Leonard Roberts II, the hip-hop recording artist known as Rick Ross, on the grounds that Jackson's claim of violation of the Connecticut common law right of publicity is preempted by the Copyright Act. The complaint alleged that, on the mixtape entitled Renzel Remixes, Roberts' use of Jackson's voice performing "In Da Club," as well as of Jackson's stage name in the track title identifying that song, violated Jackson's right of publicity under Connecticut common law.The Second Circuit affirmed, holding that Jackson's claim is preempted under the doctrine of implied preemption. In this case, Jackson's Connecticut right of publicity claim does not seek to vindicate any substantial state interests distinct from those furthered by the copyright law, and the policy considerations justifying the doctrine of implied preemption prevail.In the alternative, the court held that Jackson's claim as to the use of his voice on the mixtape is preempted by the express terms of section 301 of the Copyright Act. The court explained that the gravamen of Jackson's right of publicity claim, to the extent it is based on the use of the "In Da Club" sample, is not the use of his identity but rather the use of the copyrighted work itself, and that the focus of his claim therefore comes within the subject matter of copyright. Furthermore, to the extent that Jackson's right of publicity claim is based on the reproduction of a copyrighted work embodying Jackson's voice, that claim is preempted by section 301 because (1) its focus is Roberts' use of a work that falls within the "subject matter of copyright" and (2) it asserts rights that are sufficiently equivalent to the rights protected by federal copyright law. View "Jackson v. Roberts" on Justia Law

by
The Second Circuit affirmed the district court's dismissal of plaintiff's third amended complaint for failure to state a claim under Federal Rule of Civil Procedure 12(b)(6), alleging that defendants violated the Copyright Act by copying creative aspects from his unreleased science fiction videogame, including his use of a tardigrade -- a microscopic animal -- traveling in space, in their television series Star Trek: Discovery.Even assuming that actual copying occurred, the court agreed with the district court that plaintiff failed to plausibly allege substantial similarity between protectible elements of his videogame and elements from Discovery. The court explained that, overall, the presence of Ripper the tardigrade in Discovery is minimal, as it only appears in three episodes. Therefore, after extracting the unprotectible elements from plaintiff's videogame -- the scientific facts, general ideas, science fiction themes constituting scènes à faire, and generalized character traits -- the court held that the videogame and Discovery are not substantially similar because the protectible elements are markedly different. View "Anas Osama Ibrahim Abdin v. CBS Broadcasting Inc." on Justia Law

by
Plaintiff filed suit against BuzzFeed for using one of his photographs without crediting him in violation of the Digital Millennium Copyright Act (DCMA). The district court awarded plaintiff statutory damages. BuzzFeed appealed, arguing that it did not know its conduct would lead to future, third-party copyright infringement.The Second Circuit affirmed the district court's award of statutory damages and held that the plain language of the DMCA does not require plaintiff to prove that BuzzFeed knew its actions would lead to future, third-party infringement. In this case, the district court correctly applied the DMCA by finding that Buzzfeed, through its own journalist, distributed the photo knowing that plaintiff's gutter credit had been removed or altered without his permission and distributed the photo with a gutter credit reading "Fisher & Taubenfeld" knowing that doing so would conceal the fact that a BuzzFeed journalist did not have authority to use the photo. View "Mango v. Buzzfeed, Inc." on Justia Law

by
The Second Circuit affirmed the district court's dismissal of plaintiff's claims under the Copyright Act and the Digital Millennium Copyright Act (DMCA). Plaintiff alleged claims of copyright infringement and copyright management information (CMI) removal based on an underlying controversy involving defendants' promotion of their own version of a honey harvesting product, which replaced one that plaintiff had invented and that defendants had sold for many years through a website defendants owned.The court held that plaintiff was not entitled to statutory damages or attorneys' fees, because the first allegedly infringing act occurred before the date of the copyright registration and no genuine issue of material fact exists concerning this issue. The court also held that plaintiff failed to establish a CMI removal claim under the DMCA, because "Fischer's" cannot be construed as a CMI with respect to the advertising text at issue because it is simply the name of the product being described. View "Fischer v. Forrest" on Justia Law

by
The Second Circuit affirmed the district court's denial of the Welsh Government's motion to dismiss claims of copyright infringement brought by Pablo Star over two photographs of the Welsh poet Dylan Thomas and his wife, Caitlin Macnamara, on the ground of sovereign immunity. The Welsh Government argued that the commercial-activity exception of the Foreign Sovereign Immunities Act (FSIA) does not apply to its conduct promoting Welsh culture and tourism in New York.The court held, however, that the Welsh Government engaged in commercial activity in publicizing Wales-themed events in New York, and that the Welsh Government's activity had substantial contact with the United States. Therefore, Pablo Star's lawsuit falls within an exception to the immunity recognized in the FSIA. View "Pablo Star Ltd. v. The Welsh Government" on Justia Law

by
Plaintiff and Visions of America filed suit against Scholastic, alleging copyright infringement on 89 photographs plaintiff had authored. The district court determined that Scholastic had infringed six of the photographs and dismissed the remaining claims.The DC Circuit held that the district court properly recited the elements of a copyright infringement claim and placed the burden of proof on plaintiff to demonstrate that Scholastic's use of his images was outside the scope of the license; Petrella v. Metro-Goldwyn-Mayer, Inc., 572 U.S. 663 (2014), did not abrogate this Circuit's adoption of the "discovery rule" for copyright infringement claim accrual in Psihoyos v. John Wiley & Sons, Inc., 748 F.3d 120 (2d Cir. 2014); the Copyright Act limits damages to the three years prior to when a copyright infringement action is filed; and the registration of a compilation of photographs under 17 U.S.C. 409 by an applicant who holds the rights to the component works is valid and effectively registers the underlying individual photos, even if the compilation does not list the individual authors of the individual photos. Accordingly, the court affirmed in part and reversed in part, remanding for further proceedings. View "Sohm v. Scholastic Inc." on Justia Law

by
When the existence of a license is not in question, a copyright holder must plausibly allege that the defendant exceeded particular terms of the license. The Second Circuit affirmed the district court's judgment in favor of Scholastic in an action brought by Yamashita for copyright infringement.The court held that, although Yamashita stands in this suit not as a party to the contract that set the limits now allegedly breached, and more as a beneficiary of that contract, the Corbis‐Scholastic license still sets the terms that provide the foundation for Yamashita's complaint. The court held that the speculative, indefinite allegations made in this case as to all photographs, except the ones in Row 80, were insufficient to state a claim. Furthermore, the court's decision was not in conflict with Arista Records, LLC v. Doe 3, 604 F.3d 110 (2d Cir. 2010). Finally, because the proposed amendment would not cure the complaint's defects, leave to amend was futile. View "Yamashita v. Scholastic Inc." on Justia Law

by
In this declaratory judgment action over the copyright ownership of six scores composed by Ennio Morricone, the assignee of Morricone's copyrights sought to terminate that assignment under the U.S. Copyright Act. The district court granted summary judgment to Bixio Music Group, the company in which Morricone assigned his rights to the scores. The Second Circuit reversed, holding that the scores were not works made for hire under either Italian law or U.S. law. Therefore, the works were subject to the termination right of 17 U.S.C. 203. View "Ennio Morricone Music, Inc. v. Bixio Music Group" on Justia Law

by
The parties dispute the ownership of copyrights in 44 articles written by the film critic Stanley Kauffmann, which first appeared in The New Republic magazine and now have been republished in an anthology. The Estate appealed the district court's dismissal of the complaint against RIT for copyright infringement based on RIT's publication of the anthology. RIT asserted the defense that the Estate did not own the copyrights, arguing that the articles were works for hire and that the magazine was the author of the works with ownership of the copyrights.The Second Circuit held that Kauffmann's articles were not works for hire because the letter agreement (which stated that his articles were works for hire) was signed long after the works were created, and no special circumstances even arguably warrant applying the written agreement. Therefore, Kauffmann was and remains the author of the 44 articles and his Estate, as his successor, was the owner of the copyrights in them. Accordingly, the court reversed the district court's judgment and remanded for further proceedings. View "The Estate of Stanley Kauffmann v. Rochester Institute of Technology" on Justia Law