Justia Copyright Opinion Summaries

Anna Biani participated in an online role-playing forum themed around Victorian London, where she created three original characters: Charlotte Émilie Benoit, Frederick FitzClarence, and Landon Otis Lloyd. She registered copyrights for these characters and her forum posts. Biani alleged that the television series Penny Dreadful, which aired on Showtime, infringed her copyrights by incorporating aspects of her characters into the show’s characters, particularly Vanessa Malcolm and Sir Malcolm Murray. She pointed to similarities in character traits, backgrounds, and the casting of Eva Green, whom she had identified as resembling one of her characters.The United States District Court for the Central District of California reviewed Biani’s complaint. The court dismissed the case for failure to state a claim, finding that Biani had not plausibly alleged that the defendants had access to her work or that the similarities between the characters were so striking as to preclude independent creation. The district court applied the extrinsic test for substantial similarity, filtering out unprotectable elements such as stock features of the Victorian-era genre, and concluded that any remaining similarities were insufficient. Biani was given leave to amend but chose not to do so, resulting in dismissal with prejudice.On appeal, the United States Court of Appeals for the Ninth Circuit affirmed the district court’s dismissal. The Ninth Circuit held that, to state a claim for copyright infringement, a plaintiff must plausibly allege ownership of a valid copyright and that the defendant copied protected aspects of the work. The court found that Biani failed to plausibly allege copying, as the similarities were not so extensive as to preclude coincidence or independent creation. Additionally, the court agreed that Biani did not allege substantial similarity in protectable expression under the extrinsic test. The judgment of the district court was affirmed. View "BIANI V. SHOWTIME NETWORKS, INC." on Justia Law

Two brothers, Tom and Robert Hoffmann, were formerly partners in a family heating and air conditioning business. After Robert bought out Tom’s interest, they settled their disputes in state court with an agreement that included a four-year prohibition on Tom’s use of the “Hoffmann” name in any HVAC business, as well as non-disparagement and non-solicitation clauses. After the four-year period, Tom started a new company, Hoffmann Air Conditioning & Heating, LLC, using the family name. Robert and his company, Hoffmann Brothers Heating and Air Conditioning, Inc., objected and filed suit in federal court, alleging copyright infringement, trademark infringement, unfair competition, and breach of contract.The United States District Court for the Eastern District of Missouri granted summary judgment to Tom and his company on the copyright claim, finding insufficient evidence of damages or a causal link between the alleged infringement and any profits. The remaining claims proceeded to a jury trial, which resulted in a mixed verdict largely favoring Tom and his company on the trademark and unfair competition claims. Both sides sought attorney fees, but the district court denied all requests.On appeal, the United States Court of Appeals for the Eighth Circuit reviewed the district court’s rulings. The appellate court affirmed the summary judgment on the copyright claim, holding that the evidence of damages and profits was too speculative. It also upheld the jury instructions and verdict on the trademark claims, finding the instructions properly reflected the law regarding customer sophistication and initial-interest confusion. The court agreed that ambiguity in the settlement agreement’s language about post-four-year use of the Hoffmann name was a factual question for the jury. Finally, the court affirmed the denial of attorney fees to Robert, as he had not personally incurred any fees. The judgment of the district court was affirmed in all respects. View "Hoffmann Bros. Heating & Air v. Hoffmann Air & Heating" on Justia Law

A musician and songwriter alleged that another composer copied his liturgical song, “Emmanuel,” in creating her own work, “Christ Be Our Light.” The plaintiff had published and performed “Emmanuel” widely in the 1980s and early 1990s, including at conventions attended by both the defendant and her publisher. The defendant, a British musician, composed “Christ Be Our Light” in 1993, and her publisher had received copies of “Emmanuel” from the plaintiff in the mid-1980s. The plaintiff claimed that the defendant had access to his work through these conventions, widespread dissemination, and her relationship with her publisher.The plaintiff initially filed suit in the Northern District of Indiana, but after a procedural dismissal and re-filing, the case was transferred to the United States District Court for the District of Oregon. During discovery, the plaintiff disclosed, after the deadline, letters from the publisher acknowledging receipt of “Emmanuel.” The district court, adopting a magistrate judge’s recommendation, excluded these letters and the related access theory as a sanction for late disclosure, finding the failure to disclose was neither substantially justified nor harmless. The court then granted summary judgment to the defendants, concluding that, without the excluded evidence, the plaintiff could not show access or striking similarity, and thus could not proceed with his copyright claim.On appeal, the United States Court of Appeals for the Ninth Circuit affirmed the exclusion of the late-disclosed evidence and the related access theory, holding that the discovery sanction was not claim-dispositive and was within the district court’s discretion. However, the Ninth Circuit reversed the grant of summary judgment, holding that, even without the excluded evidence, there were triable issues of fact as to whether the defendant had access to “Emmanuel” and whether the two works were substantially or strikingly similar. The case was remanded for further proceedings. View "AMBROSETTI V. OREGON CATHOLIC PRESS" on Justia Law

A graphic designer was commissioned in 2016 to create a room-sized artwork for a brewery’s exhibition at an annual fair produced by the defendant. The agreement specified that the designer would retain copyright ownership and that the installation could only be shown in person to paying patrons at the 2016 event. During the fair, the defendant created and widely disseminated marketing videos online featuring the designer’s work without attribution, despite the designer’s requests for credit. The designer applied for copyright registration in April 2017, and the work was eventually registered, though the exact date of registration is not in the record.The designer first filed a pro se copyright infringement suit in the United States District Court for the District of Massachusetts in early 2018, but the court dismissed it without prejudice for failure to allege copyright registration. Instead of amending, the designer filed a second action in state court, which was removed to federal court. After amending her complaint, the district court again dismissed the copyright claims, this time with prejudice, for failure to state a plausible claim and failure to allege registration. The designer did not respond to the motion to dismiss. In December 2020, now represented by counsel, she filed the present suit in federal court, which was dismissed with prejudice on claim preclusion grounds. On appeal, the United States Court of Appeals for the First Circuit reversed and remanded for further consideration.On remand, the district court again dismissed the case, this time on both claim preclusion and statute of limitations grounds. The United States Court of Appeals for the First Circuit affirmed the dismissal, holding that the copyright infringement claims were untimely under the three-year statute of limitations, as the plaintiff knew or should have known of the alleged infringement by early 2017. The court also found no basis for equitable tolling. View "Foss v. Eastern States Exposition" on Justia Law

Several former members of the rock band Supertramp entered into a 1977 publishing agreement with their bandmates and manager, allocating specific percentages of songwriting royalties among themselves. These royalties were distributed according to the agreement for decades. In 2018, two of the principal songwriters and their publishing company stopped paying royalties to the plaintiffs, prompting the plaintiffs to file a breach of contract action. The dispute centered on whether the agreement could be unilaterally terminated or whether the obligation to pay royalties continued as long as the songs generated income.After the case was removed to the United States District Court for the Central District of California, the court ruled as a matter of law that the defendants could terminate the agreement after a “reasonable time,” finding no express or implied duration in the contract. The case proceeded to a jury trial, which found in favor of the defendants, concluding that the contract had been terminated after a reasonable time. The plaintiffs appealed this decision.The United States Court of Appeals for the Ninth Circuit reviewed the case and applied California contract law, which requires courts to first look for an express duration in the contract, then to determine if a duration can be implied from the contract’s nature and circumstances, and only if neither is found, to construe the duration as a reasonable time. The Ninth Circuit agreed there was no express duration but held that the contract’s nature implied a duration: the obligation to pay royalties continues as long as the songs generate publishing income, ending only when the copyrights expire and the works enter the public domain. The court reversed the district court’s judgment and remanded with instructions to enter judgment for the plaintiffs on liability. View "Thompson v. Hodgson" on Justia Law

Capstone Studios Corp., a copyright holder, sought to identify 29 subscribers of CoxCom LLC, an Internet service provider, whose IP addresses were allegedly used to share pirated copies of Capstone’s movie via the BitTorrent peer-to-peer protocol. Capstone petitioned the clerk of the United States District Court for the District of Hawaii to issue a subpoena under § 512(h) of the Digital Millennium Copyright Act (DMCA) to compel Cox to disclose the subscribers’ identities. Cox notified its subscribers, and one, identified as “John Doe,” objected, claiming he had not downloaded the movie and that his Wi-Fi had been unsecured.A magistrate judge treated John Doe’s letter as a motion to quash the subpoena. The magistrate judge found that Cox’s involvement was limited to providing Internet access, qualifying it for the safe harbor under 17 U.S.C. § 512(a), which covers service providers acting solely as conduits for data transmission. The magistrate judge concluded that, as a matter of law, a § 512(h) subpoena cannot issue to a § 512(a) service provider. The district court adopted these findings and quashed the subpoena. Capstone’s motion for reconsideration was denied, and Capstone appealed.The United States Court of Appeals for the Ninth Circuit reviewed the case. It held that the DMCA does not permit a § 512(h) subpoena to issue to a service provider whose role is limited to that described in § 512(a), because such providers cannot remove or disable access to infringing content and thus cannot receive a valid notification under § 512(c)(3)(A), which is a prerequisite for a § 512(h) subpoena. The court also found no clear error in the district court’s factual finding that Cox acted only as a § 512(a) service provider. The Ninth Circuit affirmed the district court’s order quashing the subpoena. View "In re Subpoena Internet Subscribers of Cox Communications, LLC" on Justia Law

The case involves a dispute over the rights to stage adaptations of Harper Lee's novel "To Kill a Mockingbird." In 1969, Lee granted The Dramatic Publishing Company (Dramatic) the exclusive rights to develop and license a stage adaptation of the novel for non-first-class productions. Decades later, Lee terminated this grant and authorized a new stage adaptation, with Atticus Limited Liability Company (Atticus) holding the rights to produce this second adaptation. Atticus sought a declaration from the United States District Court for the Southern District of New York that its performances did not infringe on any copyright interest held by Dramatic. Dramatic argued that it retained exclusive rights under the Copyright Act's derivative works exception and that Atticus's acquisition of rights was invalid.The district court rejected Dramatic's arguments, ruling in favor of Atticus and awarding it attorney's fees. Dramatic appealed the judgment on the merits and both parties cross-appealed the award of attorney's fees.The United States Court of Appeals for the Second Circuit reviewed the case. The court affirmed the district court's judgment granting declaratory relief to Atticus, holding that Dramatic's exclusive rights did not survive Lee's termination of the 1969 grant. The court found that the derivative works exception did not preserve Dramatic's exclusive license to stage non-first-class productions after the termination. The court also rejected Dramatic's arguments regarding the invalidity of the 2015 grant to Atticus and the timeliness of Atticus's claim.Regarding attorney's fees, the Second Circuit vacated the district court's award and remanded for further consideration. The court agreed that Dramatic's statute of limitations and res judicata arguments were objectively unreasonable but found that the district court erred in concluding that Dramatic had forfeited its statute of limitations defense and that its discovery requests unnecessarily prolonged the litigation. The court affirmed the district court's decision to deny fees incurred before April 27, 2023, and declined to award Atticus its fees on appeal. View "Atticus Ltd. Liab. Co. v. The Dramatic Publ'g Co." on Justia Law

Yuga Labs, Inc. created the Bored Ape Yacht Club (BAYC) NFT collection, which became highly popular and valuable. Defendants Ryder Ripps and Jeremy Cahen created a nearly identical NFT collection called Ryder Ripps Bored Ape Yacht Club (RR/BAYC), using the same images and identifiers as Yuga's BAYC NFTs. Yuga sued for trademark infringement and cybersquatting, while Defendants countersued under the Digital Millennium Copyright Act (DMCA) and sought declaratory relief that Yuga had no copyright protection over the Bored Apes.The United States District Court for the Central District of California dismissed Defendants' declaratory-judgment counterclaims for lack of subject-matter jurisdiction and granted summary judgment for Yuga on its trademark infringement and cybersquatting claims, as well as on Defendants' DMCA counterclaim. The court then held a bench trial on remedies, enjoining Defendants from using the BAYC marks and awarding Yuga over $8 million in disgorgement of profits, statutory damages, attorney fees, and costs.The United States Court of Appeals for the Ninth Circuit reviewed the case. The court held that NFTs can be trademarked under the Lanham Act as they are considered "goods." However, the court reversed the district court's grant of summary judgment for Yuga on its trademark infringement and cybersquatting claims, concluding that Yuga did not prove as a matter of law that Defendants' actions were likely to cause consumer confusion. The court found that Defendants' use of Yuga's marks did not constitute nominative fair use and was not protected by the First Amendment. The court affirmed the district court's rejection of Defendants' DMCA counterclaim and the dismissal of their declaratory-judgment claims with prejudice. The case was remanded for further proceedings. View "Yuga Labs, Inc. v. Ripps" on Justia Law

Tammy Livingston, individually and as a beneficiary and co-trustee of the Livingston Music Interest Trust, sued her mother, Travilyn Livingston, over the termination of copyright assignments and associated royalties for songs authored by Jay Livingston. Jay had assigned his copyright interests in several songs to a music publishing company owned by Travilyn. Travilyn later invoked her statutory right to terminate these copyright grants and filed termination notices with the U.S. Copyright Office. Tammy challenged these terminations, claiming her rights as a beneficiary were affected.The United States District Court for the Middle District of Tennessee dismissed Tammy's complaint, holding that it failed to state a claim. Tammy appealed the decision, arguing that the termination notices were ineffective, defective, or invalid, and that she retained a state law right to receive royalties from the songs covered by the terminated agreements.The United States Court of Appeals for the Sixth Circuit reviewed the case and affirmed the district court's dismissal. The court held that the 2003 California probate court order, which declared that the Family Trust held no ownership interests in Jay's copyrights, precluded Tammy's claims. The court also found that Jay had validly executed the copyright grants as an individual, not as a trustee, and that Travilyn owned Jay Livingston Music at the time of the assignments. Additionally, the court rejected Tammy's arguments regarding the termination notices' compliance with federal requirements, noting that she failed to plead specific factual allegations for most of the notices. Finally, the court held that Tammy did not identify a state law basis for her claim to royalties, thus failing to meet the pleading standards under Civil Rule 12(b)(6). View "Livingston v. Jay Livingston Music, Inc." on Justia Law

CoStar Group, Inc. and CoStar Realty Information, Inc. (collectively, “CoStar”) and Commercial Real Estate Exchange, Inc. (“CREXi”) are online platforms competing in the commercial real estate listing, information, and auction markets. CoStar sued CREXi for copyright infringement, alleging that CREXi listed images and information hosted by CoStar without permission. CREXi counterclaimed on antitrust grounds, asserting that CoStar engaged in monopolistic practices to exclude competition.The United States District Court for the Central District of California dismissed CREXi’s antitrust counterclaims and directed entry of final judgment on those claims under Fed. R. Civ. P. 54(b). The district court held that CREXi failed to show CoStar had monopoly power and that the agreements at issue were not exclusive. CREXi appealed the dismissal of its antitrust counterclaims.The United States Court of Appeals for the Ninth Circuit reviewed the case and reversed the district court’s dismissal of the antitrust counterclaims. The Ninth Circuit held that CREXi successfully stated claims under §§ 1 and 2 of the Sherman Act, California’s Cartwright Act, and the Unfair Competition Law. The court found that CREXi plausibly alleged CoStar had monopoly power in the relevant markets and engaged in anticompetitive conduct by entering into de facto exclusive deals with brokers and imposing technological barriers to entry. The court concluded that a monopolist using its power to exclude competitors and maintain monopoly power violates § 2 of the Sherman Act, and using exclusive deals to do so violates § 1 of the Sherman Act and the Cartwright Act. The court also held that CREXi stated claims under the “unfair” and “unlawful” prongs of the Unfair Competition Law. The Ninth Circuit affirmed the district court’s dismissal of CREXi’s tortious interference claims as they were improperly raised. The case was remanded for further proceedings. View "COSTAR GROUP, INC. V. COMMERCIAL REAL ESTATE EXCHANGE, INC." on Justia Law