Justia Copyright Opinion Summaries

This case concerned a dispute over the Baltimore Ravens "Flying B" logo. After the Ravens had played their first season in 1997, plaintiff filed his first lawsuit against them and the NFL, alleging that the logo infringed the copyright in three of his drawings. In this appeal, plaintiff challenged the NFL's use of the logo in three videos featured on its television network and various websites, as well as the Baltimore Ravens' display of images that included the logo as part of exhibits in its stadium "Club Level" seating area. The court affirmed the district court's finding that defendants' limited use of the logo qualified as fair use. Accordingly, the court affirmed the district court's grant of summary judgment in favor of defendants. View "Bouchat v. Baltimore Ravens Ltd." on Justia Law

This appeal stemmed from Seven Arts's attempts to establish ownership of copyrights in several motion pictures: "Rules of Engagement," "An American Rhapsody," and "Who is Cletis Tout?" Seven Arts filed suit against Paramount and Content Media for copyright infringement, a declaration of ownership rights, and an accounting, seeking a declaration that neither Content Media, nor its predecessors-in-interest, CanWest, was the owner or grantee of rights to the films. The action was filed over three years after Paramount plainly and expressly repudiated Seven Arts's copyright ownership by choosing to continue paying royalties to CanWest and Content Media, rather than to Seven Arts's predecessors. The court joined its sister circuits in holding that an untimely ownership claim will bar a claim for copyright infringement where the gravaman of the dispute was ownership, at least where, as here, the parties were in a close relationship. The court affirmed the judgment of the district court, concluding that the district court properly dismissed the suit because it was apparent from the complaint that Paramount clearly and expressly repudiated Seven Arts's ownership of the copyrights more than three years before Seven Arts brought suit. View "Seven Arts v. Content Media" on Justia Law

Swift, Schaltenbrand, and Siddle entered into an informal partnership arrangement to operate a mail-order pharmacy, divide the profits from that business, and eventually sell the book of customers to another pharmacy. After some initial success, the partners began taking profit distributions that far exceeded agreed‐upon percentages. Swift eventually filed lawsuits against Schaltenbrand and Siddle. The district court listened to 14 days of testimony before ruling against Swift on most of his claims. The court invalidated a copyright registration that Swift’s marketing company obtained for a logo used by the partnership, finding that Swift knowingly misrepresented a material fact in the application to register a copyright in the logo. The Seventh Circuit affirmed in part, agreeing that Swift failed to prove Schaltenbrand and Siddle breached their obligation to provide him with a share of profits. Swift waived fraud claims by declining to include them in the final pretrial order. The district court erred by invalidating the copyright registration without first consulting the Register of Copyrights as to the significance of the inaccurate information. The Copyright Act requires courts to perform this “curious procedure” before invalidating a registration based on a fraud on the Copyright Office.View "Swift v. Medicate Pharm., Inc." on Justia Law

Anthony Lawrence Dash filed suit against Floyd Mayweather, Jr., Mayweather Promotions, Mayweather Promotions LLC, Philthy Rich Records, Inc., and World Wrestling Entertainment, Inc. (WWE), alleging that defendants violated his copyright by playing a variant of Dash's copyrighted music during Mayweather's entrance to two WWE events. On appeal, Dash challenged the district court's grant of summary judgment and its denial of reconsideration with respect to his entitlement to actual and profit damages under the Copyright Act, 17 U.S.C. 504(b). The court found that an expert's report's, (the Einhorn Report) estimation of Dash's lost licensing fee, without more, was too speculative to show that "a reasonable jury could return a verdict" in Dash's favor on his actual damages claim, and therefore, summary judgment was appropriate; even if the Einhorn Report had suggested or even expressly concluded that the use of Dash's beat at WWE events was of some value to defendants, summary judgment would still be appropriate because the evidence supporting such conclusion was overly speculative in light of the record before the court and, therefore, was insufficient to establish a genuine dispute regarding Dash's actual damages; and the district court properly granted defendant summary judgment on Dash's claim for profit damages because Dash provided the factfinder with no reasonable basis for concluding that the infringement contributed to defendants' profits. Accordingly, the court affirmed the judgment of the district court. View "Dash v. Mayweather, Jr." on Justia Law

Troma, producer and distributor of "controlled budget motion pictures," filed suit against defendants alleging copyright infringement under federal law and state law claims of common law fraud and tortious interference with prospective economic advantage. At issue on appeal was section 302(a)(3)(ii) of the New York Civil Practice Law and Rules, and in particular its requirement that the allegedly tortious conduct of the individual over whom personal jurisdiction was asserted under that section "caus[ed] injury to person or property within the state." Troma failed to articulate a non-speculative and direct injury to person or property in New York that went beyond the simple economic losses that its New York-based business suffered. The court held that it was well settled that such economic losses were not alone a sufficient basis for personal jurisdiction over the persons who caused them. Therefore, the court concluded that the district court correctly determined that it did not have the power to exercise personal jurisdiction over defendants because Troma failed to make a prima facie showing of personal jurisdiction under section 302(a)(3)(iii). View "Troma Entertainment v. Robbins" on Justia Law

Plaintiffs, UPRS and Bernard Gelb, authorized the clients of defendant to file a legal complaint and exhibits that were written and compiled by Gelb and in which UPRS and Gelb claimed copyright. Plaintiffs contend that defendant's subsequent amendment of the original documents and filing of amended pleadings infringed their copyrights. At issue was whether the holder of a copyright in a litigation document who has authorized a party to a litigation to use the document in the litigation could withdraw the authorization after the document had already been introduced into the litigation and then claim infringement when subsequent use was made of the document in the litigation. The court held that such an authorization necessarily conveyed, not only to the authorized party but to all present and future attorneys and to the court, an irrevocable authorization to use the document in the litigation thereafter. View "Unclaimed Property Recovery Service, Inc. v. Kaplan" on Justia Law

Julia Copeland Cooper appealed the grant of summary judgment that dismissed on statute of limitations grounds her Copyright Act claims against NCS Pearson, Inc. for co-ownership of a psychological test. The statute of limitations for claims under the Copyright Act is three years; because any such claims available to Copeland would have accrued in 1993 or 1996 and she did not bring this action until 2010, the Tenth Circuit affirmed. View "Cooper v. NCS Pearson, Inc." on Justia Law

Plaintiff, a general partnership comprised of two musicians, filed suit alleging copyright infringement against defendant, Lakewood Church, over the use of a song entitled, "Signaling Through the Flames." Plaintiff later voluntarily dismissed the complaint without prejudice. Subsequently, plaintiff filed a motion to vacate its voluntary dismissal under Rule 60(b), which the district court granted. Defendant appealed. The court affirmed the judgment, concluding that a voluntary dismissal without prejudice was a final proceeding under Rule 60(b) and the district court did not abuse its discretion in dismissing the case. View "Yesh Music, et al. v. Lakewood Church, et al." on Justia Law

In 1975, Brumley assigned to his sons, Robert and William, his interests in a copyright to the hit gospel song, “I’ll Fly Away.” In 2006, Brumley’s four other children sought to terminate the assignment. Robert refused to recognize the termination as valid, arguing that Brumley was not the statutory author of the song and that a 1979 assignment of interests by Brumley’s widow prevented the heirs from later exercising termination rights. The district court ruled in favor of the heirs. The Sixth Circuit affirmed admission of a transcript and recording of a 1977 conversation between Brumley and one of the plaintiffs, but reversed and remanded because of the court’s exclusion of two articles discussing Brumley’s employment status at the time that he composed the song. View "Brumley v. Albert Brumley & Sons, Inc." on Justia Law

Neri designed a glass sculpture that Architectural Building Arts (ABA) installed in the ceiling of the entrance to Hughes’s Madison condominium. Sager designed lighting for the area. With Hughes’s consent, Ferguson took photographs of the project; two include the sculpture. ABA put copies of the photos on its web site, in a newsletter, and in an application for an architectural award. Sager posted them on her web site; Ferguson posted them to his Flickr page. Neri claimed that the uses violated her copyright. A magistrate judge dismissed on the ground that Neri did not register her copyright, as required before litigation to enforce a copyright, 17 U.S.C. 411(a). Neri submitted a collection of photographs and obtained a certificate of registration. The court concluded that the application was defective and the certificate invalid. The Seventh Circuit vacated, noting the requirements of 37 C.F.R. 202.3(b)(4)(i)(B). The submission had a single title and Neri claims copyright in each of the sculptures represented by the photos and in the collection as a whole. There was no basis for the court’s conclusion that Neri’s submission was not in an “orderly form,” based on an apparent conclusion that only a single document can be orderly. View "Neri v. Monroe" on Justia Law