Justia Copyright Opinion Summaries

USAP brought suit against Parts Geek and various individuals alleging, among other things, copyright infringement in certain e-commerce software. The district court granted summary judgment against USAP on its claim of copyright infringement because it concluded that USAP did not own the allegedly infringed copyright. Because there were genuine issues of material fact as to whether USAP owned a copyright in all or part of the software at issue, the court reversed in part, vacated in part, and remanded. View "U.S. Auto Parts Network, Inc. v. Parts Geek, LLC, et al." on Justia Law

Plaintiff filed an action for copyright infringement, as well as unjust enrichment and accounting, against defendants. According to plaintiff, defendants infringed her purported interest in a book and two screenplays that together allegedly formed the basis for the 1980 motion picture "Raging Bull." The court held that plaintiff's copyright infringement claim was barred by laches and therefore did not reach the merit of the claim itself. The court also held that, because laches was an equitable defense, the court agreed with the district court that laches also barred plaintiff's unjust enrichment and accounting claims. The court further held that the district court did not abuse its discretion in denying defendant's sanctions and attorney's fees motions. View "Petrella v. Metro-Goldwyn-Mayer, Inc., et al." on Justia Law

Lexmark manufactures printers and toner cartridges. Remanufacturers acquire used Lexmark cartridges, refill them, and sell them at a lower cost. Lexmark developed microchips for the cartridges and the printers so that Lexmark printers will reject cartridges not containing a matching microchip and patented certain aspects of the cartridges. SC began replicating the microchips and selling them to remanufacturers along with other parts for repair and resale of Lexmark toner cartridges. Lexmark sued SC for copyright violations related to its source code in making the duplicate microchips and obtained a preliminary injunction. SC counterclaimed under federal and state antitrust and false-advertising laws. While that suit was pending, SC redesigned its microchips and sued Lexmark for declaratory judgment to establish that the redesigned microchips did not infringe any copyright. Lexmark counterclaimed again for copyright violations and added patent counterclaims. The suits were consolidated. The Sixth Circuit vacated the injunction and rejected Lexmark’s copyright theories. On remand, the court dismissed all SC counterclaims. A jury held that SC did not induce patent infringement and advised that Lexmark misused its patents. The Sixth Circuit affirmed dismissal of federal antitrust claims, but reversed dismissal of SC’s claims under the Lanham Act and certain state law claims. View "Static Control Components, Inc v. Lexmark Int'l, Inc." on Justia Law

Plaintiffs, producers and owners of copyrighted television programming, sued defendants for streaming plaintiffs' copyrighted television programming over the Internet live and without their consent. The court, applying Chevron analysis, held that: (1) the statutory text was ambiguous as to whether defendant, a service that retransmitted television programming over the Internet, was entitled to a compulsory license under section 111 of the Copyright Act, 17 U.S.C. 111; (2) the statute's legislative history, development, and purpose indicated that Congress did not intend for section 111 licenses to extend to Internet retransmissions; (3) the Copyright Office's interpretation of section 111 - that Internet retransmissions services did not constitute cable systems under section 111 - aligned with Congress' intent and was reasonable; and (4) accordingly, the district court did not abuse its discretion in finding that plaintiffs were likely to succeed on the merits of the case. The court also concluded that the district court did not abuse its discretion in finding irreparable harm; in balancing the hardships; and considering the public interest. View "WPIX, Inc. v. IVI, Inc." on Justia Law

Plaintiff, developer of a passive radio frequency identification (RFID) system for commercial use, alleged a number of Texas claims against a group of software companies in state court. Defendants moved the suit to federal court and obtained a dismissal from the district court on the basis that all of plaintiff's claims were preempted by the Copyright Act, 28 U.S.C. 1338. The court held that the complete preemption doctrine applied in copyright preemption cases; plaintiff had pled factual allegations that at least in part fell outside of the scope of copyright; and defendants have argued enough of a basis for preemption on plaintiff's conversion claim to stay in federal court. Accordingly, the court reversed and remanded. View "GlobeRanger Corp. v. Software AG, et al." on Justia Law

In 2006 Vince P, wrote, recorded, and distributed a song entitled Stronger. The title comes from a line in its refrain that draws from an aphorism coined by Friedrich Nietzsche: “what does not kill me makes me stronger.” Vince P began looking for an executive producer in the hip-hop recording industry and sent a recording to Monopoly, a business manager and friend of Kanye West, a hip-hop superstar. Monopoly agreed to be Vince P’s producer, so long as Vince P was funded by a record label. That funding never materialized and the proposed collaboration foundered. Shortly thereafter, Kanye West released a song entitled Stronger. West’s song also features a hook that repeats the Nietzschean maxim and, according to Vince P, other suspicious similarities to his song. Vince P tried to contact West, but he was turned away by West’s representatives. In response, Vince P registered a copyright for his version of Stronger and sued West. The district court dismissed. The Seventh Circuit affirmed. The two songs are not similar enough to support a finding that copyright infringement has occurred under 17 U.S.C. 106(1); the songs share only “cosmetic similarities.” View "Peters v. West" on Justia Law

The “Hot News Babes” feature of Hustler magazine invites readers to nominate young, attractive female news reporters for a monthly prize. In 2003, Bosley, a 37-year-old news anchor, entered a “wet t-shirt” contest at a Florida bar and ultimately danced nude. Durocher, took pictures without Bosley’s knowledge and published them on lenshead.com. Durocher included a visual copyright notice and a general warning. A few months later, Bosley lost her job when the story was reported. To end the photographs’ dissemination, Bosley bought and registered the copyright. In 2004, Bosley was employed as a television reporter in another city. In 2005, a reader advised Hustler of the availability of the pictures online and of Bosley being the “HOTTEST.” Hustler published the Durocher nude photograph in 2006 with text describing Bosley. Bosley’s suit alleged direct copyright infringement, 17 U.S.C. 101; contributory infringement, 17 U.S.C. 101; vicarious infringement, 17 U.S.C. 106(1), (3), (5); violation of Ohio common law right of privacy; violation of the Ohio statutory right of publicity; and violation of the Ohio Deceptive Trade Practices Act. Only the direct infringement claim survived. The jury rejected a fair use defense, but found the violation not willful, and awarded $135,000 plus fees. The Sixth Circuit affirmed. View "Balsley v. LFP, Inc." on Justia Law

Scholz Design created technical drawings for three homes and submitted them to the Copyright Office in 1988 and 1989 with front elevation drawings showing the front of the houses surrounded by lawn, bushes, and trees. Scholz obtained copyrights. In 1992 Scholz entered an agreement permitting Sart to build homes using the plans, for a fee of $1 per square foot of each house built. The agreement required that Sard not "copy or duplicate any of the [Scholz] materials nor . . . [use them] in any manner to advertise or build a [Scholz Design] or derivative except under the terms and conditions of the agreement." Scholz claimed that after termination of the agreement, Sard and real estate companies posted copies of the drawings on advertising websites and sued for violation of copyrights, 15 U.S.C. 1051, breach of contract, and violations of the Digital Millennium Copyright Act, 17 U.S.C. 1201. The district court dismissed, finding that the copied images did not fulfill the intrinsic function of an architectural plan. The Second Circuit reversed. Architectural technical drawings might be subject to copyright protection even if they are not sufficiently detailed to allow for construction. View "Scholz Design, Inc. v. Sard Custom Homes, LLC" on Justia Law

In this case the Ninth Circuit Court of Appeals noted, "This appeal reads like a telenovela, a Spanish soap opera. It pits music celebrities, who make money by promoting themselves, against a gossip magazine, that makes money by publishing celebrity photographs, with a paparazzo, who apparently stole the disputed pictures, stuck in the middle." Noelia Monge and Jorge Reynoso ("the couple"), Latin American celebrities, claimed that Maya Magazines, Inc. and Maya Publishing Group, LLC (collectively, "Maya") infringed their copyrights by publishing previously unpublished photos of their clandestine wedding in "TVNotas," a Spanish-language celebrity gossip magazine. The district court granted Maya summary judgment on the ground that publication of the images was fair use under the Copyright Act of 1976. The Ninth Circuit reversed, holding that Maya did not sustain its burden of establishing that its wholesale, commercial use of the previously unpublished photos constituted fair use, and thus, the district court should have granted the couple's summary judgment motion on this issue. Remanded. View "Monge v. Maya Magazines, Inc." on Justia Law

The Eastern Orthodox monastic order began a spiritual affiliation with the bishops of the Russian Orthodox Church Outside of Russia (ROCOR)in 1965. Although the Monastery concedes it commemorated the bishops of ROCOR until 1986, it considers itself an independent entity. The Monastery's 35 monks worked on translating religious texts from their original Greek into English. The works were in demand amongst parishes, but the Monastery obliged requests on a limited basis. One of the monks went to Colorado where he formed Dormition Skete, dedicated to painting traditional Orthodox icons. A Skete member, the Archbishop, created a website devoted to the Orthodox faith. Based on postings on that site, the Monastery sued the Archbishop, in state court, for copyright infringement. The parties settled with the Archbishop acknowledging the Monastery’s ownership of the works. The website continued to include its translations; the Monastery filed a federal suit, 17 U.S.C. 101. The district ruled in favor of the Monastery, rejecting claims or public domain, that ROCOR was the true owner of the copyrights, and of fair use. The First Circuit affirmed. The Archbishop offered identical or near-identical versions of the works on his website for the precise purpose for which the Monastery originally created them, harming their potential market value. View "Soc'y of the Holy Transfiguration Monastery, Inc. v. Archbishop Gregory of Denver" on Justia Law