Justia Copyright Opinion Summaries

Luvdarts sued mobile wireless carriers, who own multimedia messaging networks (MMS networks), for copyright infringement. At issue was whether the carriers could be held liable for copyright infringement that allegedly occurred on their networks. Because Luvdarts failed to allege adequately that the carriers had the necessary right and ability to supervise the infringing conduct, the district court properly determined that they could not prevail on their claim of vicarious copyright infringement. Because Luvdarts failed to allege adequately that the carriers had the necessary specific knowledge of infringement, it could not prevail on its claim of contributory copyright infringement. Accordingly, Luvdarts failed to state a claim on which relief could be granted and the district court properly dismissed its complaint with prejudice. View "Luvdarts LLC, et al v. AT&T Mobility, LLC, et al" on Justia Law

Plaintiffs, various film studios, alleged that the services offered and websites maintained by defendant and his company, isoHunt, induced third parties to download infringing copies of the studios' copyrighted works. This case concerned a peer-to-peer file sharing protocol known as BitTorrent. The court affirmed the district court's holding that plaintiffs had carried their burden of proving, on the basis of undisputed facts, defendant's liability for inducing others to infringe plaintiffs' copyrights. The court also affirmed summary judgment to plaintiffs on defendant's claims that he was entitled to the safe harbors provided by the Digital Millennium Copyright Act, 17 U.S.C. 512(a), (c), and (d). The court concluded that portions of the permanent injunction were vague or unduly burdensome, and therefore, modified the injunction in part. View "Columbia Pictures Industries v. Fung" on Justia Law

In this copyright infringement suit, SOFA claimed that Dodger infringed its copyright in using a seven-second clip of Ed Sullivan's introduction of the Four Seasons on "The Ed Sullivan Show" and could not justify its unlicensed use of the clip as "fair use." The clip was used in Dodger's musical about the Four Seasons, "Jersey Boys," to mark a historical point in the band's career. The court held that, by using the clip for its biographical significance, Dodger has imbued it with new meaning and did so without usurping whatever demand there was for the original clip. Dodger was entitled to prevail on its fair use defense as a mater of law and to retain the attorney's fees award granted by the district court. View "SOFA Entertainment, Inc. v. Dodger Productions, Inc., et al" on Justia Law

Plaintiff, an architecture firm that specialized in designing single family homes, alleged that Lennar's architectural plans infringed on its copyrights. The court held that plaintiff did not have sufficient evidence to support a finding that there existed a reasonable possibility that Lennar had access to its copyrighted plans. Accordingly, the district court correctly concluded that as a matter of law, plaintiff lacked the evidence necessary to sustain its claims of copyright infringement. View "Building Graphics, Inc. v. Lennar Corp." on Justia Law

Mattel filed suit against MGA, claiming that MGA infringed Mattel's copyrights by producing Bratz dolls. On appeal, Mattel challenged the jury's verdict that Mattel misappropriated MGA's trade secrets and the district court's award of attorneys fees and costs to MGA under the Copyright Act, 17 U.S.C. 505. The court held that MGA's claim of trade-secret misappropriation was not logically related to Mattel's counterclaim and therefore, the court reversed the district court's holding that MGA's counterclaim-in-reply was compulsory. Because the district court did not abuse its discretion in awarding fees and costs under the Act, the court affirmed that award. View "Mattel, Inc., et al v. MGA Entertainment, Inc., et al" on Justia Law

Media Power Group, Inc. (MPG) owned four radio stations in Puerto Rico, branded "Radio Isla." Segments of several disputed songs were broadcast during various news and talk show programs on Radio Isla. Latin American Music Company (LAMCO) filed suit against MPG and its president, seeking money damages for violations of the Copyright Act as to twenty-one songs. The district court granted MPG's motion for summary judgment as to twelve songs, and infringement claims as to the remaining nine songs were tried before a jury. The jury found LAMCO failed to prove it owned the songs and returned a verdict for MPG. The First Circuit Court of Appeals affirmed, holding (1) the issue of ownership was properly submitted to the jury; (2) the district court did not err when it ruled that LAMCO was collaterally estopped from litigating its claims as to four songs; and (3) the district court did not err in dismissing LAMCO's claims relating to four other songs for failure to produce evidence of registration. View "Latin Am. Music Co., Inc. v. Media Power Group, Inc." on Justia Law

This case arose from a dispute over the character Superman that Jerome Siegel and Joseph Shuster jointly created and thereafter gave rights to DC Comic's predecessor. Defendants appealed the district court's denial of defendants' motion, pursuant to California's anti-SLAPP statute, Cal. Civ. Proc. Code 425.16, to strike certain of DC Comics' state law claims. At issue was whether the court's decision in Batzel v. Smith remained good law after the Supreme Court's intervening decision in Mohawk Industries v. Carpenter. In Batzel, the court held that the collateral order doctrine permitted a party to take an interlocutory appeal of an order denying motions to strike pursuant to the anti-SLAPP statute. The court held that such motions remained among the class of orders for which an immediate appeal was available. Thus, the holding in Batzel remained good law and the order denying the motion to strike pursuant to the anti-SLAPP statute remained immediately appealable pursuant to the collateral order doctrine. Therefore, the court had jurisdiction and decided the merits in a memorandum disposition filed concurrently. View "DC Comics v. Pacific Pictures Corp., et al" on Justia Law

Plaintiff, a freelance photographer, took a photograph of a man, who called himself Clark Rockefeller, and the man's daughter. Later, it was discovered that the man had abducted his daughter and that his real name was Christian Gerhartsreiter. The photo was used by the FBI in a "Wanted" poster and was distributed in the media. Appellee Sony Pictures Television, Inc. subsequently produced a movie based on Gerhartsreiter's identity deception. In the movie, Sony pictured the photo using an image similar and pose and composition to Plaintiff's original. The photo, however, was different in a number of respects. Plaintiff filed this infringement action, alleging a copyright violation. The district court granted summary judgment for Appellees, concluding that no reasonable jury could find substantial similarity between Sony's recreated photo and Plaintiff's original. The First Circuit Court of Appeals affirmed, holding that no jury could properly conclude that Sony's adaption of the photo infringed Plaintiff's copyright in his work. View "Harney v. Sony Pictures Television, Inc." on Justia Law

Appellant Gary Blehm brought a copyright infringement action against Appellees Albert and John Jacobs and the Life is Good Company (collectively “Life is Good”). Appellant created copyrighted posters featuring cartoon characters called “Penmen.” He contended that numerous Life is Good depictions of a cartoon character called “Jake” infringed on his copyrighted works. The district court granted Life is Good’s motion for summary judgment, holding that no infringement occurred because the copyrighted and accused works are not substantially similar. Upon review, the Tenth Circuit affirmed: " Copying alone is not infringement. The infringement determination depends on what is copied. Assuming Life is Good copied Penmen images when it produced Jake images, our substantial similarity analysis shows it copied ideas rather than expression, which would make Life is Good a copier but not an infringer under copyright law." View "Blehm v. Jacobs, et al" on Justia Law

In 1930, A.A. Milne transferred to Slesinger exclusive merchandising and other rights to Winnie-the-Pooh works in the U.S. and Canada. In 1961, Slesinger exclusively “assigned, granted, and set over to” Disney the rights in the 1930 agreement. A 1983 agreement sought to resolve the parties’ disputes, but Slesinger contends it retained rights in the works, while Disney maintains Slesinger assigned all rights. In 1991, before the present litigation, Slesinger sued in state court, alleging breach of the 1983 agreement. Slesinger acknowledged that the 1983 agreement “regranted, licensed and assigned all rights” to Disney. The action was ultimately dismissed. The dispute continued in federal court. The district court dismissed, noting that the parties’ actions indicated the rights were transferred to Disney in the 1983 agreement. Between 1983 and 2006, Disney registered at least 15 trademarks. In 2004, Disney registered copyrights in 45 works and renewed copyright registrations for another 14. Slesinger did not attempt to perfect or register trademarks or copyrights before asserting its federal claims and never objected to Disney’s registrations until 2006, when the state court dismissed its claims and Slesinger attempted to cancel Disney’s applications and marks. The Federal Circuit affirmed the Board’s dismissal, citing estoppel. View "Stephen Slesinger, Inc. v. Disney Enters., Inc." on Justia Law